THE SACRED GEOMETRY IN HANDEL’S MESSIAH

Big thanks to Anja for sending me this:

Handel's "Messiah" is very important and should not be a piece of music consecrated strictly to Christianity because that is not what it was meant to be. Handel was involved in the greatest secret societies on the face of the earth that propagated consciousness and energy into knowledge. Handel was a musician, and a brilliant one.

Why is this particular masterpiece a masterpiece? Because he used ancient knowledge handed down to him as an initiate to put together a masterpiece using sound and divine geometry. In propagating the science of the mind, Handel put together sounds that would work geometry into a spectacular symbol. The brain itself, working off of electromagnetic fields around the body, would do the same thing, which he learned in his initiation with the societies he was involved in.

For your investigation, there are tests that were done to Handel's "Messiah" in which the vibrations of the music were run through a metal plate, with probes on the plate that would run the frequency through it. Upon this perfectly and scientifically engineered flat surface were placed metal shards. As the frequency of this masterpiece was fed through this flat surface and the shards of metal were scattered in random chaos, there was an organization coming out of the chaos, a distribution of these shards all through this masterpiece. In the last great part of Handel's "Messiah", in test after test after test, what became apparent towards the last sequence of this masterpiece was that these random shards, chaotically disturbed by frequencies from the music on the plate, created an astounding symbol, a star, the pentagram.



Jesus Christ said, "I am your bright and shining morning star." The morning star was there before the birth of Yeshua ben Joseph. He conformed to become its meaning. Christianity, in its absolute ignorance, considers this symbol a devil. This masterpiece is played at the height of their Christian celebration, yet unbeknown to them the pentagram is forming in their brain.

These are tests that are scientific in nature. They are accessible to all of you. The master of this masterpiece used the frequency of sound to create a propensity of triangles. The sound was based upon the organization of triangles, because triangles are at the heart of the cosmos, all universes, and all dimensions. It takes triangles put together to give the definition of pi in a ratio of circumference. Circles do not just become circles. They are triangles, proportionately designed equally, that when put together at their points create the circle.

Handel, a great master in his studies in his secret society, was way ahead of common composers. He knew that this life gave him a talent for the composition of music and would be his life's work and destiny to take his gift, applied with knowledge and initiation, to produce the greatest piece of music. In order to pass an initiation in a secret college, he created the "Messiah" which would undoubtedly produce a star in the brain of all who would ever hear it.

Did Handel pass his test and take his talent, his destiny in this life, and apply it to the greatest resource of truth? Yes, he did. This masterpiece stands in all time as the greatest, most touching music and attribution to God. It was exactly meant for God. Jesus Christ said, "I am your bright and shining morning star. I was born under a star." He is talking to common people, but to a specific group they understand that it is not some random star in the sky. All of you know the morning star is Venus. But he wasn't referring to Venus. He was referring to a broader context, to Point Zero. He also said, "I am the alpha and the omega. I am the beginning" ¾ the star ¾ "and I am the end." He is speaking about the God who is speaking through him. That is how powerful he knew this knowledge, and it was transformative knowledge. It was knowledge that required him as a man to girdle his loins, come up to that star - Point Zero - and live his life accordingly: "I was once the beginning. I shall be the end. I have girdled my loins. I have sought the highest revenue of the source of my being and have applied that in my life."



Yeshua is but one of many who had that same opportunity. He was born to bring that message, no matter the cost. Handel is the same kind of entity. Handel was born with a talent of words and music. The secret college would say to him, "This is your opportunity in this life. This is your greatest gift. This is your greatest genetics. This is your greatest Spirit, your greatest soul, and in that you must take your great gift and pass the standard of an initiation." Handel composed this work in a time when there was no electronic music being played. There were no probes or perfectly engineered pieces of metal in which sound could travel invisibly over wires without the absolute apparentness of an orchestra that would affect shards of metal and organize that chaos into meaning. He did it when none of this electronic equipment was around.

Handel was indeed a master who created a masterful work. Only in recent technology and science has it been found and put to the test that it cannot be coincidence that his music can organize a thousand shards of metal thrown randomly into a specific symbol without any human hand. The symbol is the pentagram. Handel produced a piece of music that will be played for centuries to come and appreciated even more for the insightful, spiritual, brilliant being that he was. He took his science and talent and left a legacy.

Handel went by another name in his secret college. Creating this music was his initiation. This is a man who passed a test to bring about the extraordinary in his talent. In his initiation, Handel's legacy was to have this completed in one year. He passed the initiation. From his time he has reached our time. His music stands as a symbol of the high holidays. The high holidays represent the highest form of life, a time when we are asked and indeed allowed to live to our greatest accomplishment. The high holidays ring of an ancient truth that were set into being before the foundations of the world were laid.



Excerpt adapted from: Ramtha, I Am Your Bright and Shining Morning Star. Christmas Evening with Ramtha. Ramtha's School of Enlightenment, December 8, 2000.

Copyright © 2008 JZ Knight

The Universal Music System (patent pending)

Our minds develop from the information we gain through our senses. Since our sense use the natural language, then the development of our mind is dependent upon the natural language. Our perception and interpretation of all things is based on the natural language. The goal of metaphysics is to knowledgeably unify the developments in our mind, with the natural structures of our senses, and the natural structures found in the physical universe. We then have a clear path to follow. If we want to truly understand these connections we will need to do more than simply think about the relationships - we will need to experience them. This is where music metaphysics shines. The study of the metaphysics of music allows the individual to physically experience the natural structures of the natural language and gain new insights and meaning.
The most fundamental element of music metaphysics is its language. The proper music language must perfectly describe the natural language found in our senses and in our sensory developed minds. It must be properly tuned to the natural structures upon which the material and spiritual world are formed. If the language is not so tuned, the metaphysic experience will be greatly diminished for, although we may be able to appreciate music, we will not be able to understand it, and we will not be able to receive the full mind, body, spirit effect.
The first step in developing the natural music language is to understand that music is a system of sound frequencies which are fundamentally described by numbers. If we hit a piano key, the key moves a lever which hits a string inside the piano. The string vibrates at a fundamental frequency we might arbitrarily call 1. As it naturally vibrates it naturally produces a frequency we would then call 2. If the first note we played was called ‘C’, then the frequency we called 2 will also be called ‘C’. This is a first principle of the music language called identity. Each multiple of 2 is recognized as an identity of the fundamental 1. So, in order to properly identify this property of identity, we form a musical staff and a keyboard that reflects this property of identity. On the staff we mark octaves as octave 1, octave 2, 3, 4, 5, and so on. Next to the octave number, we can place a design with a short line running through it to identify an octave note. Since we perceive each octave as a perceptually equal step, then we separate the octaves by visually equal amounts.
The next step is to identify the natural musical tones. It turns out that the natural language defines unique musical tones by multiples of the number 3. If we begin with 1 and continue to multiply by 3’s we will generate 12 unique tones before we repeat the first tone at the 12th multiple of 3. Thus there are 12 fundamental tones.
How are we going to identify the 12 fundamental tones? We could identify them by number, but numbers easily get complex and unwieldy, and do not transmit as much information as we would like. We could identify them by their structural order, but what order? Since we are trying to come up with some visual means of identification, then the most fundamental and natural language device we could use will be the language of our sight. Our natural visual language is the language of color. The fundamental relationship between color and musical notes is the relationship between consecutive colors and multiples of 3.






In one single step, by using the 12 fundamental colors to represent the 12 fundamental musical notes and the 12 fundamental numbers, we can instantly imbue notes with their natural recognizable meaning. For example, if you see the note identifications A and E, can you naturally understand anything about them? But if you see the note yellow-orange and yellow, you instantly understand that they are closely related notes because they are also closely related colors. In the same way, if you see the notes yellow and violet, you will instantly recognize that they are distantly related colors. And this is just the beginning. With just a little more knowledge of color and color relationships, the entire system of music opens up to us like a blooming flower. We call this opening vision a crystalization because the natural structures of the universe crystalize to perfection before our very eyes.
The next step is to understand the natural harmonic development of color. Clearly frequencies or numbers do not develop simply by multiples of 3. In other words, before we count the numbers 1, 3, 9, 27, 81, ...., we count the numbers 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, .... It turns out that the natural harmonic pattern of color, called the chromatic color circle, is a series of alternating colors.
In the chromatic color pattern, consecutive notes are distantly related. What is then needed is some kind of visual pattern that identifies this distant relationship. The most fundamental visual definition of opposites is black and white. Therefore, we will identify consecutive chromatic colors by a black and white grid pattern. Of course octaves still need to be identified so one of the black segments is converted to gray.

Using the black and white pattern, it is now possible to design a notation grid that perfectly corresponds to the natural chromatic pattern. Each of the 12 fundamental chromatic notes has a uniquely placed white space or black line. The reference octave note has a short line through it to emulate the gray grid position. Each of the 12 fundamental chromatic notes has a unique color to properly identify it.



Because of the perfect correspondence between the keyboard, the musical staff, and the natural language, the keyboard and staff system are the perfect system to learn about music metaphysics, or about music generally. Although we will not go into details here, we can discuss some of the general principles of this natural system and its implications.
One of the most fundamental applications of color is musical key. Natural groupings of consecutive colors form natural groupings of musical notes into keys. This property allows the metaphysical student access to much greater insight into the structure and relationships of musical key (see essay on musical key). Although not historically understood, it is the properties of color that composers use to create music. Simply put, the more we understand color, the more we understand music structures and by extension the natural language.
The black and white grid pattern is all about symmetry. Unlike traditional music systems, in this natural system a musical key will have the same pattern no matter which note it starts with. For example, the major musical scale will always be either 3 black keys followed by 4 white keys, or 3 white keys followed by 4 black keys (the gray key is associated with the black keys). Once you have this pattern it is a simple process to run the pattern through the many inversions and mirror images that naturally occur within the natural language and within our physical and spiritual self (see the scale ring below).
Finally, the system design incorporates principles of energy flow which we call color current or music current. Well designed musical compositions have intuitively applied cycles of current which we can easily feel as energy flowing through our bodies. The natural music system incorporates the natural energy flow within its design so that it becomes much easier to understand and knowledgeably use.
When all of these principles and many more, discovered by studying music metaphysics, are incorporated into our lives, we enter a level of understanding and experience that far surpasses what has previously been available to us. The study of music metaphysics is literally the key to unlocking the secrets of the universe.

Musical Key

The use of the word key is not arbitrary. Key means a device that unlocks secrets or makes the inaccessible become accessible. Musical key is the highest level of natural language organization and, when understood, gives the greatest insight into how and why the universe works so perfectly.
One of the most profound uses of musical key is to describe and mark the passing of time. Musical keys and colors were used prominently in ancient cultures for the ritual of timekeeping. It gave individuals the ability to feel and understand the natural differences between hours, days, months, seasons and years.
But time keeping is only the tip of the iceberg. The natural rhythms of time really describe the natural vibrations of our solar system, our planet, our society, our family, and ourselves. They define the very nature of the astrological signs and their meaning and system of relationships. The system of musical notes and musical keys helps us understand these natural rhythms and their system of relationships.
The simplest explanation of musical key comes from the color circle. Any circle is a wave, and with any wave, we can only perceive half of the wave at any given time. Otherwise we experience a phenomenon called destructive interference. When we consider half of a 12 tone color circle, we find that it is composed of 7 consecutive colortones which form the tones of the fundamental musical keys. For example, the key of E Major contains the scale A, E, B, F sharp, C sharp, G sharp, and D sharp.



Some examples of the historical and natural use of the 7 key tones are the formation of the 7 day week, and the use of the musical scale ring composed of 4 keys or 28 days to mark the woman’s menstrual cycle and the orbital period of the moon (272 days). At an advanced level, each 28 day cycle represents one color, and in a years time, 13 such cycles occur which means that each new year begins with a new color, and after 12 years, the color cycle repeats.
Musical key and its properties affect relationships. If you are born in a yellow month, you will have particular relationships with individuals in other months as defined by the harmonic key system. The greater knowledge one has of this key system, the more capable they will be at bridging the natural gaps between themselves and other individuals. And, in a general way, the more capable they will be at experiencing the fullness of each month and season.
In ancient times the study of musical keys was paramount. Entire societies would tie themselves to a specific tone and the specific organization of keys emanating from that tone. Thus everyone in the society would be in tune with the fundamental societal vibration. And, of course, the societal vibration would be in tune with their place in the material and spiritual universe.

The scale ring

One of the fundamental organizations of music takes place in the alpha wave, a foundation structure in the building of the material universe. Within the alpha wave, several groupings of four keys exist which we call scale rings. The purpose of the scale ring is to provide a path for energy to flow in and between the four sections of the alpha wave. In general, according to ancient sources, the scale ring property is meant to define the life cycle (birth, living, dying, and death), the daily cycle (morning, afternoon, evening, and night), and the seasons of the year (spring, summer, fall, and winter). In the menstrual cycle, it represents the birth of the egg, the life of the egg, the dying of the egg, and the death/disposal of the egg.
The primary scale ring is composed of an overtone major scale, an overtone minor scale, an undertone major scale, and an undertone minor scale, each composed of the same set of 7 notes, arranged in different order. For example, if the C overtone Major key is defined as the birth, then the A overtone Minor key is defined as the living, the E undertone Major key is defined as the dying, and the G undertone Minor key is defined as the death. So that you can understand the nature of the life cycle bound in this grouping of keys, we have transformed the song “Good Morning Merry Sunshine” into the four keys of the scale ring. The song begins in the key of C overtone Major, cycles through the four keys, and then ends by returning to the key of C overtone Major. What you should be listening for are not only the changes between consecutive keys, but between the first two overtone keys, compared to the second two undertone keys, and the perceived tension of the fourth key (the death key).



The Unification Key

In ancient China, a foundation tone was established to represent the vibration of the entire nation. This tone, referred to as the huang chung (literally translated as ‘yellow bell’), was considered to be the audible vibration of the cosmic energy, matter, and spirit. The vibration of the yellow bell was the foundation of Chinese music and was used to create resonance between individuals and the cosmos in a variety of ways. It is not known how the sound frequency of the yellow bell was determined but what is important is the measurable effect which it created for individuals within Chinese society. These effects are easily obtainable today through an understanding of the natural language and its application in music. For example, everyone has a specific vibration and color by which they are defined. Through music metaphysics, an individual can create music in the form of songs or meaningful patterns which are in resonance with the individuals vibration and color. One such example is the ability to create a key of tones where every tone of the key is the same color and the tonic of the key corresponds to the individuals vibration.
The unification key is founded on a fundamental principle of the universe which we might easily describe by the terms male and female. From the very beginning, and throughout the long journey of creation, male and female principles are united to form stability and greater complexity. At our advanced level of creation, our physical, mental, and spiritual beings are also composed of male and female sides, and the unification key is one way to unite these two halves into a single perfect entity.
The principle of the unification key begins with the fact that there exists two sets of 12 colors, one being male, and the other female. If we begin with the female colors we can find the male colors by looking at the exact center between each of the 12 female colors. For example, the exact center between the female yellow and the female red-violet, is the male blue-green-blue. The color or tone range between tones such as C and C# is called the microtone range and represents the synthesis or union of the male and female colors.



The natural division of the microtone range is by 7 microcolor steps. This division clearly identifies one of the sexes and only indirectly identifies the opposite sex which means that it keeps the sexual identity intact while allowing the two systems
to interact or bond.




Using the seven step microcolor range between consecutive chromatic tones, a series of same color tones can be identified. Starting with the female E (yellow) tone, a total of seven yellow tones are identified before they repeat at the octave or replicate of the female E tone. These seven tones form the yellow microtone key or the yellow male:female key, or the yellow unification key.
The unification key allows us to transcend our normal patterns of operation as either male or female, and experience the unity of the universe. This is not an asexual experience but a true union of being that opens inner doors that might otherwise be difficult to find and pass through.
At a much deeper level, this key provides a means of following paths of energy that naturally transit back and forth between the male and female sides of the universe. The ancients described such motion as riding the light.

Click here to hear the C (red) unification scale.


Source

We Are the World

At any given moment,

depending on our frame of mind,

we are either adding

to the Light of the World

or adding to the shadows.



Every single thing we do

affects the whole...



Every thought, word,

action, or feeling

we have

changes the dynamics

of the whole Universe.



How is that

for an awesome responsibility?

ROBIN ANTON WILSON EXPLAINS REALITY

OSHO - Meditation

Meditation in the East is not what is understood by it in the West. In the West, meditation means contemplation: meditating in God, meditating on truth, meditating on love. But if you meditate on something, you are not meditating at all, because you are focusing on something outside yourself. It may be love, it may be truth, it may be God, it makes no difference.

Meditation in the East has a totally different meaning, just the opposite of the Western meaning. Meditation in the East means having no object in the mind, no content in the mind, no meditating upon something but dropping everything - neti, neti. neither this or that. Meditation is emptying yourself of all content. When there is no thought moving inside you there is stillness, and that stillness is meditation. Not even a ripple arises in the lake of your consciousness, and that silent lake, absolutely still, is meditation.

And in that meditation you will know what truth is, you will know what love is, you will know what godliness is. Not by meditating on God ... See the point: how can you mediate on God? You don't know anything about God. All your meditation is going to be just imagination, an exercise of imagination. You don't know truth - what are you going to meditate upon? Some idea given by others, some belief, some concept? That is not going to help.

First become meditation, and then in meditation, truth, godliness, love and all that is transcendental will be revealed to you.

Mediation is just being, not doing anything - no action, no thought, no emotion. It is very simple - a totally relaxed state of consciousness where you are not doing anything. The moment doing enters, you become tense, anxious. What to do? How to do it? How to succeed? How not to fail? You have already moved into the future.

In meditation you just are. And it is a sheer delight. Meditation is just being delighted in your own presence; meditation is a delight in your own being.

Where does this delight come from, when you are not doing anything? It comes from nowhere or it come from everywhere. It is not caused by anything, because existence itself is made of the stuff called joy. It needs no cause, no reason. If you are unhappy you have a reason to be unhappy; if you are happy, you are simply happy - there is no reason for it. Your mind tries to find a reason because it cannot believe in 'the uncaused' because it cannot control the uncaused - with the uncaused the mind simply becomes impotent. So the mind goes on finding some reason or other. But I would like to tell you that whenever you are unhappy, you have a reason to be unhappy, because happiness is just the stuff you are made of. It is your very being, it is your innermost core. Joy is you inner most core.

-Osho

The Essence of All Be-ing

Consciousness can be defined as -

• the self awareness, inner sensibility or cognisance
of the processing of one's own existence -
• the aggregate, collective or Unified Field of the interplay
of all of the energies which make up all life.

The paradigm that consciousness may exist independently of the physical body is often widely disputed from all sides and often ridiculed. It may sometimes be tolerated under the label of religious freedom, but virtually all branches of science are evolving in the opposite direction: explaining our soul and Spirit.

Yet, there can be a synthesis or common ground where, by removing the seeming discrepancies and limitations in the words and languages used by science, mysticism, spirituality and religion, it can be seen that

Universal Consciousness is the interweaving thread - the tantra - a bridge which joins all forms of human endeavor with all and, with all states and forms of sentient and non-sentient existence.

This Universal Consciousness is
• the Essence of Who We are
• and the Synthesis of Life itself.

http://www.anunda.com/consciousness.htm

Layers of the Aura

1. Etheric Body

The Etheric Body extends out between 2-4 inches from the physical body is usually a shade of blue. The Etheric Body is the Etheric Map for the physical body holding the complete template of the Physical. When there is an imbalance in the Etheric Body the physical body will be directly impacted and be out of balance also.



2. Emotional Body

The Emotional Body extends out a further 4-6 inches from the Etheric Body, is quite colourful with a wispy cloud look. This is where we store our emotions and these can reflected back to us in the physical from here until we learn to heal them.



3. Mental Body

The Mental Body extends another 4-6 inches from the Emotional Body and can be yellow or bluish in colour. The Mental body holds our thought processes and when we are generating negative thought patterns, the colour of the aura in this layer will change to a darker, muddier yellow.



4. Spiritual Body

Often called the Causal body or Astral body. The Spiritual Body extends out another 4-6 inches from the Mental Body and highly coloured and rather beautiful, like Jacobs coat of many colours [perhaps this was what was being seen] the Spiritual Body is the connecting layer between the lower 4 bodies and the higher [including the physical] and the higher light bodies and it is also the Body where we hold love for ourselves, family and friends. When we are truly more accepting of ourselves a light pink hue may be seen.



5. Etheric Template Body

The Etheric Template extends out another 2-4 inches from the Spiritual Body. This is the mirror double of the Etheric Body holding the negative space of the Etheric Body. In this layer we align with the Divine Will and encouraged to speak our Truth willingly and live accordingly.



6. Celestial Light Body

The Celestial Light Body is a deeper shade of pink than the Spiritual Body and is the layer of universal love and compassion. It is here we learn to love mankind and devote ourselves to a greater understanding and forgiveness of all. This layer encourages us to realise and live with the knowledge that we are all connected and fear cannot exist if Love is all there is.



7. Ketheric Template

The Ketheric Template is seen as Gold Light, which is in fact a fine web [rather like a rutilated quartz]. This web is the web of our reality and creativeness. When we connect with this layer it allows us to see reality and the Divine Order of All, giving a deeper understanding of the lessons and lessening the illusion of separation.



The next layers are said to be:



8. The Memory Body

This layer interfaces with Karma and the Akashic records recording past, present and future karmic memories.It is also known as the “White Zone” and is connected with the crown of the head.



9. The Soul Body

The Ninth Layer is the Soul Level associated with the planes of existence between the worlds of Heaven and Now and is related to the soul Star Chakra [9th Chakra]. The Soul Body connects with our “oneness” and the Divine order of our pre-destined soul contracts.



10. The Integrative Body

The 10th layer serves as a pathway between the physical and spiritual relating to the 10th Chakra [Grounding Chakra]. This layer is also known as the “Dream body” which is able to separate itself from the physical body and enter into the astral realms. It is here we access data from our genetic and soul heritage and the imprint of our soul purpose.



11. The Eternal Body

The 11th Layer of the Eternal Soul is where we are transformed into our Light Bodies in preparation for Ascension.



12. The Universal Body

The 12th Layer of the Universal Body is pure Divine Consciousness and pure connection to the Divine Mind, the Ascended Masters, and Pure Unconditional Love within and without.

David Lynch: Consciousness, Creativity and the Brain

Robert Anton Wilson - The Brain Recieves Consciousnnes

Barbara Marciniak speaks about the Evolution of Consciousness.

..

The Music of Atomic Shapes

taken from the article: Geometry,Music and Healing by Ani Williams


Five basic three dimensional geometric forms are found to represent the five elements in creation: The tetrahedron–fire, the cube–earth, the octahedron--air, the dodecahedron–ether, and the icosahedron–water, as shown in order here:


These five Platonic solids comprise the constantly changing dance of creation, the alchemical dance of the elements. "In bringing order to the universe the Creator gave geometric forms to the atoms….interacting with human senses to produce appearances and feelings." John Michell

I was able to experience the ‘musical proportions’ of Platonic solids many years ago, when I was studying with Michael Helios, who I consider to be a reincarnated Atlantean wizard. Helios’ early pioneering research in music, mathematical proportions, astronomy and healing became one of my areas of study in sound healing during the early 1990’s. Helios had discovered the musical proportions and corresponding tone scales of the each of the Platonic shapes, which included tuning his keyboard to specific frequencies to achieve the exact proportions.

During his presentations Michael would play the scales and geometries of each shape and the participants would meditate on the five different musical pieces, without his disclosing which geometric shape he was playing. After each piece, the listeners would describe which of the shapes they experienced. It was quite extraordinary, that every Platonic solid was directly perceived, felt, and ‘seen’ with the inner eye during each of the five musical meditations. This was my first experience of realizing the power of musical transmission and its potential to specifically re-order creation. This is exactly what the ancient mystics and scientists were telling us!

I was especially profoundly affected by the Dodecahedron, and while Helios played the musical proportions, I felt as if I ‘became’ this geometric solid, and this shape and I became the Great Mother matrix of the universe. The dodecahedron can be seen to represent the order of the heavens and also the perfect shape of mediation between the infinite and the finite, the sphere and the cube.

The dodecahedron is comprised of twelve pentagonal (five-sided) faces, and represents the fifth sacred element, ether, or divine potentiality. Recently, quantum physics researchers in the US and France have said that based on measurements of cosmic waves left over from the ‘big bang’, it appears that the shape of the universe is a Dodecahedron. This is fascinating, considering there are five platonic solids and the corresponding five basic elements of life. The entire human race is joined in these same basic sacred proportions of the physical body as it is overlaid in a pentagram, with the arms and legs spread to make a five-pointed star, with the reproductive organs at the exact center. And there are five appendages from the human torso, five appendages on each leg and arm, five openings on the face, and five senses of physical perception.

If we can imagine the dodecahedral-pentagonal shape of the uni-verse (meaning one song), and see the human body pentagram geometry, we find in both a divine proportion and potential for harmonic perfection, inherent in physical embodiment and the harmony of the spheres. We embody the geometry of the cosmos! And we find that the Golden Mean proportions of the cosmos and our body temples are closely aligned with the harmony of the musical ‘fifth’, or stated another way, the universe and humanity are geometries singing!

"One of the properties of the pentagram is that the lines bisect each other according to the Golden Section …the ideal human proportions lie in the canon defined by the Golden Section or PHI." Nicholas Mann’s ‘Sedona Sacred Earth’.







full article

The Nature of Thought Energy

by Dr. Jeffry R. Palmer Ph.D.


Your thoughts are the currencies with which you exchange energy with the universe. Do you believe that your thoughts have energy? Do you believe that a place or an object can retain the energy of the people that have come into contact with it? If you have ever entered an old home and sensed the presence of its previous occupants, or held an antique item in your hands and felt the history of it, then you know the answers. Scientists are just beginning to accept the truth about thought energy, and have begun to study what many have known for centuries. In fact some of today's leading scientists in areas of physics, biology, psychology and many other fields are starting to recognize the importance of thought energy.
Positive thought energy in the form of collective meditation has been scientifically proven to reduce violent crime!

In 1993 a study encouraged by one the world's leading physicists was undertaken in Washington D.C to determine if focused meditation could have an effect on that city's crime rate. The results were astonishing. During the weeks that several volunteers meditated, crime rates fell dramatically by 25 percent! This was no accident. This was scientifically validated and proven to be an effective means of countering the criminal inclinations of a very large group of people…an entire city in fact.


All Life Is Energy

Thoughts have energy. Negative thoughts create negative events. Positive thoughts create positive results. The energy of thought is either stored in physical structures or is transmitted into the universe, it never dies. Consider what this means. Think about the ramifications.
Where did the clothes you are wearing come from, who made them? Were they manufactured by depressed and impoverished people working in appalling conditions for weeks to make the same amount of money that you spend on a cup of coffee in the morning?

Who built the car that you drive? Was it built by disgruntled and tired factory workers? Where some of those workers alcoholics? Did some of them leave work, go home, beat their wives and children and build your car the next morning? Who built the house that you live in? Who came into contact with the food that you ate today? Starting to get the picture? Everything we come into contact with can hold the thought energy of other people. Even the air that we breathe carries the thought energy of those it surrounds.
What were the thoughts that have been injected into every part of your life? How much has the thought energy of others affected you?





Every thought interacts with the energy of the universe. Negative thought looks for other negatives thought energies to bind with. Eventually a matrix of negative thought energy is created and forms a thought wave. These powerful negative thought waves manifest themselves in our lives in the form of poverty, crime, war, plagues and natural disasters. Negative energy creates a vacuum, it detracts from the life giving nature of the universe Negative thought waves come in many sizes and have been known by many names, bad luck, misfortune, disaster, evil, curses, etc. Call them what you will, the source of their energy is the same. The source is us.


Positive thought energy also seeks out other positive energies. If you are a source of positive thought energy, positive and beneficial energy will return to you in many wonderful and unexpected ways. Positive thought energy creates a surplus; it is the surplus of positive thought energy that allows for the creation of life.


You are the source and creator of all things. Everything that happens in your life has a direct connection with the type of energy that you are charging the universe with. You alone are responsible for the type of energy created by your life.


Becoming aware of the power of your own thoughts is the most important step in understanding how to handle the adverse influence of the negative thought of others.


Knowing the value of positive thought energy allows us to become sensitive to negative energy. We begin to notice it in our own speech, we see it in our relationships, and we notice it in others.


Being aware is the key. Once we are aware of the negative thought energy in our lives we can take measures to eliminate it and replace it with beneficial, healing energy. It is as simple as noticing it and dismissing it with our minds. A thought enters our mind that we recognize as negative, we simply dismiss it. By dismissing negativity we take away its power by not allowing it to manifest further negativity in our lives.


There are of course many other techniques available to combat negative thought energy and create positive abundance in our lives; including focused meditation among others. The critical first step however is simply being aware of the existence and effects of these energies. Hopefully this brief article has helped you to allow that first step to be taken.

Kundalini - Infinite Creative Potential

Kundalini is a Sanskrit word meaning either "coiled up" or "coiling like a snake." There are a number of other translations of the term usually emphasizing a more serpent nature to the word - e.g. 'serpent power'.

The caduceus symbol of coiling snakes is thought to be an ancient symbolic representation of Kundalini physiology.

The concept of Kundalini comes from yogic philosophy of ancient India and refers to the mothering intelligence behind yogic awakening and spiritual maturation. It might be regarded by yogis as a sort of deity, hence the occasional capitalization of the term.

Within a western frame of understanding it is often associated with the practice of contemplative or religious practices that might induce an altered state of consciousness, either brought about spontaneously, through a type of yoga, through psychedelic drugs, or through a near-death experience.

According to the yogic tradition Kundalini is curled up in the back part of the root chakra in three and one-half turns around the sacrum. Yogic phenomenology states that kundalini awakening is associated with the appearance of bio-energetic phenomena that are said to be experienced somatically by the yogi.

This appearance is also referred to as "pranic awakening". Prana is interpreted as the vital, life-sustaining force in the body. Uplifted, or intensified life-energy is called pranotthana and is supposed to originate from an apparent reservoir of subtle bio-energy at the base of the spine. This energy is also interpreted as a vibrational phenomena that initiates a period, or a process of vibrational spiritual development.

The source text for the concept of kundalini is the "Hatha Yoga Pradipika" written by Swami Svatmarama (English translation, 1992) somewhere between the twelfth and fifteenth centuries. Any examination of the topic should include this work. The pradipika is one of the later developments in yoga sacred texts. Hatha Yoga is strictly speaking a forcing technique which has as its primary aim the forcing of the arising of kundalini.

The main emphasis is a difficult regime of breathing techniques meant to increase the store of "prana" in the body. The well known physical postures are only meant to be an aid to maintain peak physical fitness, so as to support the real work of the breathing practices. All of this has, according to tradition, to be accompanied by prolonged and unbroken meditation practise (for which the main text is the "Yoga Sutras of Patanjali"). The text adds that great good fortune is another requirement, i.e.luck, for the procedure to succeed. However, these techniques are not without dangers.

The above youtube videos are using audio from Brain Sync, a developer of brain wave therapy programs, read my previous post for more about brain wave therapy. Brain Sync have many different programs available. Check their website for more information.

Brain Wave Therapy

First discovered by biophysicist Gerald Oster at Mount Sinai Hospital in New York City, brain wave audio technology sends pure, precisely tuned sound waves of different frequencies to your brain via stereo headphones. In his EEG research, Oster discovered that when different vibrations, or sound frequencies, are delivered to the brain separately through each ear (as with stereo headphones), the two hemispheres of the brain function together to "hear" not the external sound signals, but a third phantom signal. This signal is called a binaural beat, and it pulses at the exact mathematical difference between the two actual tones.

So, for example, if a signal of 100 cycles per second entered your left ear and a signal of 109 cycles per second simultaneously entered your right ear, what you would actually perceive you heard would be a rhythmic, soothing pulsation, beating at 9 cycles per second. Research results show that first parts of the brain and, eventually, large areas of the brain begin to resonate sympathetically with this "phantom" binaural beat in what is known as the Frequency Following Response.

Subsequent research determined that binaural beat frequencies could drive or guide brain activity into a wide variety of specific brain states. Thus, effortlessly and naturally, your brain activity slides into rhythm with this binaural beat, becoming organized and coherent. Within minutes, the sound frequencies start to balance the left and right hemispheres of your brain – creating a remarkable state called hemispheric synchronization and driving the electrical activity of your brain into powerful states, normally unattainable.

Scientists have noted that this rare phenomenon was accompanied by flashes of creative insight, euphoria, intensely focused concentration, deep calm, and enhanced learning abilities. Brain Sync has advanced and refined a sophisticated sound recording technique called Harmonic Superimposition of binaural beat frequencies. In our audio programs, carefully tuned binaural beats are superimposed, layer upon layer, causing different groups of neurons to fire at different frequencies.

Recent scientific research indicates that individual brain states, ranging from sleep to creativity, are marked by combinations of different brain wave frequencies. Brain Sync's Harmonic Superimposition technique takes a number of highly specific binaural beat frequencies and combines them simultaneously so that the binaural beats themselves create harmonic beat frequencies with the other binaural beats, to produce a highly specific brain state. The frequencies we've chosen for our audio programs are very powerful "window frequencies" ranging from the low delta range, associated with sleep and healing, upward through theta, then alpha, and into the very high beta range associated with heightened alertness and cognition.

http://www.brainsync.com/pilot.asp?pg=brainwave-therapy